The Road Ahead: New Crop Pop Up Shops!

We’re so excited to be back in the U.S.! We have quite a long road trip ahead of us, but we’ve got the jeep packed to the brim and ready for our first round of New Crop Pop Up Shops. We loved our coast to coast roadtrip last year, that this year we’re doing it again with some art markets and summer festivals sprinkled in between. We hope to share New Crop Shop’s vibrant and diverse energy at each place that is part of our tour, and also those serendipitous places that aren’t. If you’re at any of these stops…come by our booth and say hi!

Get more info about these festivals: Pop Up Sunday // Art Outside Festival // Artists & Fleas

pop up market

Artisan Spotlight: Hmong Tribe Batik

I’ve always appreciated the craftsmanship that went into our Hmong textiles. From the meticulous cross-stitching, to the embroidery, and their Batik techniques. Today we decided to learn first hand from Hmong artisans about the Batik techniques that I love so much in not only in our textiles but also in our wanderer ponchos. All I can say is wow, these women have great attention to detail, a deep knowledge to meanings of patterns, along with very steady hands! The Batik dying process includes tools handmade in their village which had different size points for making lines. Kind of reminded me of calligraphy pens! They use it to dip into beeswax that is harvested from their village. The beeswax is melted over a clay pot of fire which in time will turn black. They then draw their traditional patterns on a hand drawn grid all from memory. Specific patterns had different meanings and the one we are drawing below means good luck and protection for a baby, which they use to stitch into a baby carrier. I told her I didn’t have a baby yet, then she replied “When you do, bring your baby to our village”.

After the pattern is drawn, we then dip it into indigo which is harvested from their land. Winhus pictured below is showing us the indigo leaves prior to mixing it with ash and water to create the dye. From here the process can take days to weeks depending on preferred hue of indigo. You dip, then hang dry, and dip again. Once you have achieved the hue you prefer, you then dip the fabric into boiling water to melt off the wax and reveal the contrast of patterns. Ta-da! All the women in this tribe are such talented artisans and take much pride in their work. After months of working on one piece they then take it to the market to sell. Talk about delayed gratification! What a beautiful and slow process each piece is. They mentioned most of the kids in the village have started to lose interest in learning and is most interested in modern technology. Therefore only the older women in the village still hold this knowledge of their traditional Batik technique and through their textiles they work to preserve remnants of their culture.

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Hmong Batik Textiles

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Hmong Batik Textiles

Hmong Batik Textiles

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Hmong Batik Textiles

Hmong Batik Textiles

Hmong Batik Textiles

Hmong Batik Textiles

Hmong Batik Textiles

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Hmong Batik Textiles

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hmong ===

Kaftans on a Cambodian Rooftop

Tribal dresses, Festival Clothing

Tribal dresses, Festival Clothing

Tribal dresses, Festival Clothing

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Tribal dresses, Festival Clothing

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Tribal dresses, Festival Clothing

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Happy Halloween everyone! I admit, I do miss toasting pumpkin ales, roasting pumpkin seeds, and having an excuse to bust out in costume with friends. However I am very grateful to experience something as beautiful and eye opening as our couple weeks spent in Cambodia. They recently just started welcoming tourists into Cambodia the past decade or so after their suffering through the Khmer Rouge. Still today, the struggle remains in this poverty stricken country as they battle corruption in their government.

Understanding this, we were more aware of the darkness found in their past which showed through their music and artwork. If you ask the locals they will share their stories of death, starvation, and survival. When visiting galleries during our time in Battambang, we noticed the essence of darkness expressed in the majority of the artwork that I, as an outsider can never fully comprehend.

Walking through the alleyways of Battambang I was in awe to see the French architecture still remained here. I also noticed many women on their sewing machines on the bottom floor of their house which opened to the outside like garage doors. The vibrancy of fabrics I felt represented the Cambodian spirit. Through a dark past, the survivors, and those to follow express their hope through their smile, willingness to reach out, enthusiasm to work, and in their craftsmanship. I especially was drawn to these colorful kaftans with playful patterns which danced in the wind. We brought them to the rooftop of our hostel and let the sun and wind bring the kaftans to life.

These will soon be available in the shop.